Showing posts with label New Jersey. Show all posts
Showing posts with label New Jersey. Show all posts

Sunday, January 11, 2015

Winter Journal (Review by Marsha)


Winter Journal
By Paul Auster
5/5


Published 2012

First Sentence
"You think it will never happen to you, that it cannot happen to you, that you are the only person in the world to whom none of these things will happen, and then one by one, they begin to happen to you in the way they happen to everyone else."
Publisher's Description:


From the bestselling novelist and author of The Invention of Solitude, a moving and highly personal meditation on the body, time, and language itself "That is where the story begins, in your body, and everything will end in the body as well. Facing his sixty-third winter, internationally acclaimed novelist Paul Auster sits down to write a history of his body and its sensations—both pleasurable and painful. Thirty years after the publication of The Invention of Solitude, in which he wrote so movingly about fatherhood, Auster gives us a second unconventional memoir in which he writes about his mother's life and death. Winter Journal is a highly personal meditation on the body, time, and memory, by one of our most intellectually elegant writers.

Dear Reader,

Now this is my new favorite Paul Auster book. I feel this is the beginning of my new adoration of him. This is an autobiography in the coolest sense of the word. It's written in a free verse, run on and totally true way that is so Paul Auster. It makes me feel like I've been there through most of his life, his youth in the 60s and 70s and his very cool reality of living abroad in France for several years in his early 20s. He gives the context that most American readers will be accustomed to. He is the same age as my parents and growing up in that household has made me familiar with the cultural realm in which they grew up in.

I love how he story tells. One good example is the department store incident. His mother and one of her friend when she was in her 20s and Auster was a toddler.  He describes his frolic with another child in a construction area in this large New Jersy department store. The story ends in a permanent facial scar after having escaped the watchful care of his mother. In this story snippet, he sets up the joy of being free and sliding with his young comrade on his belly along the smooth floor. Becoming more and more daring until he is suddenly rushing face first into a nail that is jutting from a pile of wood boards. We, as readers, can remember that moment in our lives which we received our first serious injury and how it became imprinted both upon our selves both physically and mentally. The feeling of the floor falling away and the realization that death and danger are not far away from everyday situations. It is universal to the human condition and Auster does a flawless job resurfacing that core experience.

He sorts the autobiography narrative into things that scarred his body and how those stories lead to pinnacles of time in his personal development. He sorts his life by the women he loved and the depth or brevity of those affairs. He sorts his life by the physical pleasure and ailments that have arisen and then were handled in the course of his life. He doesn't tell his life story in a chronological pattern but much like the thought patterns of a dream. He jumps forward and back in time to the synchronicity of being in Paris, feeling like he was about to die, or the deaths of people close to him.

I am touched deeply by the vulnerability of the premise of the book, which is defined metaphorically in the title: Winter Journal. This is the winter of his life. He tells the reader about the spring, summer, fall and ends with what he is calling the winter. Not quite old; but no longer young. I have often spent many a moment considering the chronology of my own life. I think about how it'll be to age, and be "old," to have my once young and elastic body become stiff and weakened (even in the amount of time that I have been alive.)
"You never expect it to happen to you." So true. I thought I'd never age, never be given the chance to be an adult with her life together: a car, an office-job, a life-partner, and children. But now I feel I'm the same child I have always been but people are continually born and I seem to be advancing forward and away from the years I was in high school, and in college.
Life is much different after those two eras. Not awful, but no longer full of; unpredictable hi-jinx, wide open possibilities and partying. Now I want to go to bed earlier, I just want to stay at home and cook meals with my life partner and our dog. I want to own a house and have children. The longer lasting pieces of happiness ring true and foretell my actual age.

I like hearing about the life of a writer. A real writer who has done it; made a living from his artistic craft. I can relate to that passion; to write and create something that you've poured your soul into. Something that you can be proud of. It has always been my dream to be able to make a living from one of my artistic crafts.
Paul Auster has done it.

Yours,
Marsha

Winter Journal

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Tuesday, July 29, 2014

The Angel of Losses


The Angel of Losses
Stephanie Feldman
3 / 5

To Be Published: July 29, 2014

First Sentence
"When Grandpa came to live with us, he brought the White Magician with him."
Publisher's Description:
The Tiger's Wife meets A History of Love in this inventive, lushly imagined debut novel that explores the intersections of family secrets, Jewish myths, the legacy of war and history, and the bonds between sisters

When Eli Burke dies, he leaves behind a mysterious notebook full of stories about a magical figure named The White Rebbe, a miracle worker in league with the enigmatic Angel of Losses, protector of things gone astray, and guardian of the lost letter of the alphabet, which completes the secret name of God.

When his granddaughter, Marjorie, discovers Eli's notebook, everything she thought she knew about her grandfather--and her family--comes undone. To find the truth about Eli's origins and unlock the secrets he kept, she embarks on an odyssey that takes her deep into the past, from 18th century Europe to Nazi-occupied Lithuania, and back to the present, to New York City and her estranged sister Holly, whom she must save from the consequences of Eli's past.

Interweaving history, theology, and both real and imagined Jewish folktales, The Angel of Losses is a family story of what lasts, and of what we can-and cannot-escape..

Dear Reader,

This book...what DID I think of this book?  I have a hard time coming to any conclusions, because it is all still pretty muddied in my mind.  I loved a lot of the imagery Feldman employs; her writing is beautiful.  And the parts of the book about Marjorie, those that took place in the present day?  Those were really enjoyable to read.  However...I think I might have missed something with the White Rebbe stories.  They never really felt wholly fleshed out or complete, and I think that must have a lot to do with my feeling entirely lost when it comes to the Jewish faith.  I know very little about Jewish mysticism and the religion's stories and legends, and I felt like I must have been feeling so confused because of my unfamiliarity.  I can't otherwise explain why I didn't love those parts of the book as much as I thought I would.  Again, the writing in the four stories about the White Rebbe (I still am not 100% certain what a "rebbe" is...) was wonderfully done, and the stories danced along on magical writing just like my most beloved fairy tales.  However...there was just something that didn't quite fall into place for me.  I'm not sure I understood what it was that Marjorie was searching for, really, or how the White Rebbe and/or the White Magician (were they the same person?) related to her studies.  I wasn't sure how all of this related to her brother-in-law Nathan, either.  Or how and why they both thought they could save their loved ones.  It felt, essentially, like there was a lot left unexplained for me, and perhaps that might have to do with the magical realism of the book itself?  In which case, that is fine - I am just not much for that genre, and so I can entirely blame myself.  However, I have to emphasize how much I really did like Feldman's writing, particularly those parts which examined Marjorie's family life close up.  I would probably try another one of this author's books, provided it was a bit less heavy on the magic.  (Which is so funny, because I love sci-fi & fantasy books!  I just don't love magic being blended so closely into the real world, I suppose.)

On a slightly different note: I have to say, I really adore the cover of this book.  I want to frame that image, it's so beautifully done!

Yours,
Arianna
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